On the First Fleet of 1788, at least 15 convicts were of African descent. By 1840 the number had risen to almost 500. Among them were David Stuurman, a revered South African chief transported for anti-colonial insurrection; John Caesar, who became Australia’s first bushranger; Billy Blue, the stylishly dressed ferryman who gave his name to Sydney’s Blues Point; and William Cuffay, a prominent London Chartist who led the development of Australia’s labour movement. Two of the youngest were cousins from Mauritius—girls aged just 9 and 12—sentenced over a failed attempt to poison their mistress.

But although some of these lives were documented and their likenesses hang in places like the National Portrait Gallery, even their descendants are often unaware of their existence.

By uncovering lives whitewashed out of our history, in stories spanning Africa, the Americas and Europe, Black Convicts also traces Australia’s hidden links to slavery, which both powered the British Empire and inspired the convict system itself. Situating European settlement in its global context, Chingaipe shows that the injustice of dispossession was driven by the engine of labour exploitation. Black Convicts will change the way we think about who we are.

About the Author

Santilla Chingaipe is a filmmaker, historian and author, whose work explores settler colonialism, slavery, and postcolonial migration in Australia. Chingaipe’s critically acclaimed and award-winning documentary Our African Roots is streaming on SBS On Demand; Black Convicts builds on the research for that, taking it further. The recipient of several awards, she was also recognised at the United Nations as one of the most influential people of African descent in the world in 2019. She is a regular contributor to The Saturday Paper, and served as a member of the Federal Government’s Advisory Group on Australia-Africa Relations. Chingaipe is the founder of Behind The Screens, an annual program supported by VicScreen, aimed at increasing the representation of people historically excluded from the Australian film industry. She is based in Melbourne.